Importance of PattaChitra in Jagannath Cult

Importance of PattaChitra in Jagannath Cult

The Pattachitra, one of the most fascinating art form of Odisha has a tradition that goes back to 12th century. The term patta chitra has its origin from the Sanskrit. Patta means vastra or cloth and chitra means paintings. So patta chitra means paintings on cloth. The use of cloth for painting has been in vogue in India from early period. Just like the Kalighat Paintings are linked to Goddess Kali and Pichwai Paintings are linked to Lord Srinath (Nathdwara, Rajasthan), the Patta Chitra paintings are centred around the cult of Shree Jagannath. This art is considered to be as old as the Shree Jagannath Temple in Puri, c.1200.

On Devasnana Purnima (full moon day of Jyestha), the holy triad have a ritualistic bath from 108 pots of water to fight the heat of summer. As a result of this bathing, the deities become sick for 15 days. This period is known as Anasar. In this period, the devotees don’t get darshan of the deities. Elaborate treatments are given to the deities to recover from illness.

During this period, three Patta Chitra paintings of Shree Jagannath, Devi Subhadra and Shree Balabhadra are worshipped at the temple. These paintings are called Anasar Pati. These paintings depits the triad in a different form. The idols of the deities are incomplete, without full hands and legs. The paintings depict them with full hands and legs, sitting in the Padmasana Mudra.

The painting of Shree Jagannath depicts the Lord with four hands, holding a Shankh (Conch), Chakra (Wheel), Gada (Club) and Padma (Lotus Flower). Similarly Devi Subhadra and Shree Balabhadra are depicted with four hands and full legs.

Source – Internet




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